Practicing Spanish based on Theatrical Pieces - 1

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Concerned with stripping appearances from reality, it had as its best outlet the essay. The Scavenger and The Swindler. His best comedies provide subtle critiques of urban mores, combining laughter with tragic foreboding La dama duende [; The Phantom Lady ]. His tragedies probe the human predicament, exploring personal and collective guilt Las tres justicias en una [ c. His best-known plays, appropriately classified as high drama, include El alcalde de Zalamea c. These liturgical plays range in their artistry from the immediate metaphorical appeal of El gran teatro del mundo c.

Culteranismo and conceptismo , although symptoms rather than causes of decline, contributed to stifling imaginative literature, and, by the close of the 17th century, all production characterizing the Siglo de Oro had essentially ceased. In Charles II, the last monarch of the Habsburg dynasty , died without an heir, thereby provoking the War of the Spanish Succession —14 , a European conflict over control of Spain.

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Men of letters began again to study abroad, discovering how far Spain had diverged from the intellectual course of western Europe. New inquiries into the national heritage led scholars to unearth forgotten medieval literature. Another major encyclopaedic talent, Gaspar Melchor de Jovellanos , produced streams of reports, essays, memoirs, and studies on agriculture, the economy, political organization, law, industry, natural science, and literature, as well as ways to improve them, in addition to writing Neoclassical drama and poetry.

Torres Villarroel experimented with all literary genres, and his collected works, published —99, are fertile sources for studying 18th-century character, aesthetics , and literary style. Several women writers emerged during the Enlightenment and were active from onward in the male-dominated Spanish theatre. They wrote Neoclassic drama: comedias lacrimosas tearful plays , zarzuelas musical comedies , sainetes , Romantic tragedies, and costumbrista comedies. Early 19th-century Spanish literature suffered as a result of the Napoleonic Wars and their economic repercussions. Spain experienced soaring inflation, and manpower across the peninsula was at low ebb as a result of emigration and military service.

These problems were further aggravated by the loss of its American colonies.

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Some, however, recognize Cadalso and several lesser cultivators of Gothic fiction as 18th-century Spanish antecedents. Romanticism in Spain was, in many respects, a return to its earlier classics, a continuation of the rediscovery initiated by 18th-century scholars.

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Important formal traits of Spanish Romantic drama—mingling genres, rejecting the unities, diversifying metrics—had characterized Lope de Vega and his contemporaries, whose themes reappeared in Romantic garb. Spanish Romanticism, typically understood as having two branches, had no single leader. Prolific , facile , and declamatory, Zorrilla produced huge numbers of plays, lyric and narrative verse collections, and enormously popular rewrites of Siglo de Oro plays and legends; he was treated as a national hero.

One major Romantic theme concerned liberty and individual freedom. Rimas influenced more 20th-century Spanish poets than any other 19th-century work. A number of notable women writers emerged under Romanticism. Her poems sounded many feminist notes, although she in later life became conservative. She also wrote 16 full-length original plays, 4 of which were major successes. While poetry and theatre claimed the major honours, Spanish Romanticism also produced many novels—but none that rivaled those of Scottish contemporary Sir Walter Scott.

Costumbrismo began before Romanticism, contributing to both Romanticism and the later realism movement through realistic prose. Such writings, realistically observing everyday life and regional elements, bridged the transition to realism. Early revival novels are of interest more for their powers of observation and description a continuation of costumbrismo than for their imaginative or narrative quality.

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He was a prolific writer, his works ranging from poetry and newspaper articles to critical essays and memoirs. Included among these many novels is his masterpiece, Fortunata y Jacinta —87; Fortunata and Jacinta , a paradigm of Spanish realism.

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The novel has been seen as an allegory of the sterility of the upper classes, but its complexity transcends facile summary. His later works represent naturalism or reflect turn-of-the-century spiritualism. He also wrote more than 20 successful and often controversial plays. Realistic drama in Spain produced few masterpieces but established a bourgeois comedy of manners further developed in the 20th century. In poetry, realistic trends produced little of note.

He used a realistic approach to treat contemporary moral, religious, and political conflicts in his works, although his work also shows Romantic and medieval themes. The novel acquired new seriousness, and critical, psychological, and philosophical essays gained unprecedented importance. A provocative, somewhat unsystematic thinker, Unamuno aimed at sowing spiritual disquiet.

An artistic critic and sensitive miniaturist, he excelled in precision and ekphrasis description of a visual work of art. In his later works he experimented with Impressionism and Surrealism. The three stages of his literary evolution exhibit radical aesthetic change, beginning with exquisite , sometimes decadent , erotic Modernista tales, as in his four Sonatas —05; Eng. Each represents a season of the year and of human life corresponding to the youth, plenitude, maturity, and old age of the narrator, a decadent Don Juan; intertextual allusions, nostalgia for an idealized past, aristocratic posing, melancholy , underlying parody, and humour abound.

Modernismo rejected 19th-century bourgeois materialism and instead sought specifically aesthetic values. Seeking Platonic absolutes in his final years, he produced measured, exact poetry that increasingly exulted in mystical discoveries of transcendence within the immanence of self and physical reality. A prolific playwright noted for his craftsmanship and wit, he profoundly altered Spanish theatrical practice and fare.

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Excelling in the comedy of manners with sparkling dialogue and satiric touches, Benavente never alienated his devoted upper-class public. He won the Nobel Prize for Literature in His dramas inveighed against hypocrisy and corrupt values with mordant irony. Luces de Bohemia ; Bohemian Lights illustrates his theory and practice of esperpento , an aesthetic formula he also used in his fiction to depict reality through a deliberately exaggerated mimesis of its grotesqueness.

She continued writing his plays even after he abandoned her for another woman. Brothers Manuel and Antonio Machado collaborated on several lyric plays during the s and early s. The term novecentistas applies to a generation of writers that fall between the Generation of and the vanguardist Generation of The novecentistas —sometimes also called the Generation of —were more classical and less revolutionary than their predecessors.

They sought to renew intellectual and aesthetic standards while reaffirming Classical values. Belarmino y Apolonio ; Belarmino and Apolonio examines the age-old debate between faith and reason, utilizing symbolic characters and multiple narrative viewpoints, while Tigre Juan ; Tiger Juan dissects traditional Spanish concepts of honour and matrimony.

Images and metaphors—frequently illogical, hermetic, or irrational—became central to poetic creation. Most of these poets experimented with free verse or exotic forms drawn from the Japanese, Arabic, and Afro-Caribbean literary traditions. By the end of the Spanish Civil War, in , many writers of the Generation of were dead or in exile. Lorca , a consummate artist, musician, dramatist, and poet, captured the stark emotions and powerful effects that characterize traditional song and ballad forms.

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In Romancero gitano ; The Gypsy Ballads , he blended popular styles with sophisticated mythic and symbolic elements evoking mysterious, ambivalent visions of nature. Symbols and metaphors turn hermetic in Poeta en Nueva York ; Poet in New York , a Surrealist reflection of urban inhumanity and disorientation written during his visit to the United States in — Salinas sought pure poetry through clearly focused poems and a heightened sensitivity to language.

The fireman exits downstage right. The character being pursued is Antigonus, a lord of Sicilia, who has been ordered to abandon the baby Princess Perdita. The scale of objects that are supposed to be further from the observer is reduced to make them appear further away, even if they're not. Used to reduce the size of the opening when putting a small set onto a large stage.

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For example to allow trucks guided by tracks cut into this false floor, to be moved by steel wires running in the shallow 2 or 3 inch void between the false floor and the original stage floor. A false stage is also required for putting a revolve onto a stage. An item treated with a flame retardant will limit or inhibit the spread of fire by not supporting combustion. FLOAT 1 The action of letting a large flat fall from vertical onto it's face so that it's cushioned by the air it displaces.

Care must be taken when floating flats on dusty stages, as particles can get blown around as the flat lands. FLOAT FLATS A technique to get a set of flats to a horizontal position on the stage floor by removing weights and braces, ensuring the area is clear and that people are wearing safety goggles if there's danger of flying dust, then footing the flats, and pushing them over so they are cushioned by air pressure and land safely on the deck.

Often are also the site for socket panels for connecting flown lighting apparatus to dimmers, and also sometimes a lighting position. Known in the US as Fly Gallery. With the advent of counterweighted systems, this refers to the area where the flying system is operated. Known as the "flies". The ideal fly tower should be more than twice the height of the pros. The load on the grid is transferred to the ground via the walls of the theatre.

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The flying harness is expertly fitted to the actor, and is fully tested and certified as safe before use. Cables attach to the harness normally at the hip, or the middle of the back, via a quick release locking snap hook mechanism. There are companies who specialise in this sort of wire work, and there's no excuse for not using the professionals at all times. FLYING IRON Rigging hardware - a metal strip designed to screw into the lower rail of a flat or other piece of scenery with a ring attached to which flying wires can be connected using a shackle. FOOT 1 The action of bracing the bottom of a ladder while a colleague climbs it e.

I'll only be a couple of minutes'. The technique can be used in scenic painting to give an enhanced effect of dimensionality, along with other techniques such as Forced Perspective. The fourth wall convention is an established convention of modern realistic theatre, where the actors carry out their actions unaware of the audience. Where the cast addresses the audience directly, this is said to be 'Breaking the Fourth Wall'.

Consists of a number of flats fixed together with battens. Also known as a Frenchman.